Representation, Remembrance and the Memorial, is an international visual arts research project that concerns the Australian frontier wars and the possibility of representing the magnitude of Indigenous loss and survival in a national memorial. The project is led by Brook Andrew, with research assistant Dr Jessica Neath and mentored by Professor Marcia Langton. The project follows several lines of enquiry including investigating international examples of monuments to genocide and community approaches to remembering frontier violence. Research activities and outcomes include interviewing memorial experts, site visits, archival research, hosting a forum, developing artworks, writing a set of guidelines and publications. RRM is funded by a grant from the Australian Research Council Indigenous Discovery Program (2016–2018) and is auspiced by Monash University. The project is based in Melbourne, Australia. We acknowledge the people of the Kulin Nation as the Traditional Owners of the land on which our office and studio resides.

Künstlerhaus Bethanien residency, Berlin

July 2017 - June 2018: On residency at Künstlerhaus Bethanien, in Berlin, Brook is researching the representation of Australian Indigenous loss by learning from German memorials relating to genocide and fascism. This project is motivated by the lack of memorials to the frontier wars in Australia where in-numerous first peoples were murdered and in the aftermath - cultural genocide. This work does not compare historical traumas but investigates the methods of display: how have artists, architects, communities and institutions in Germany and surrounding Europe made traumatic histories visible in the public sphere? 

Smithsonian Artist Research Fellowship (SARF), Washington, DC

October 2017 - December 2017: Brook researched the National Anthropological Archives and Human Studies Film Archives in the Department of Anthropology at the Smithsonian Institute, Washington, DC, part of his Smithsonian Artist Research Fellowship (SARF). The extensive collection on ethnology, field-notes, correspondence, photographs, sound recordings, film and video in these archives, extends Brook's current and past research, specifically at the Pitt Rivers Museum, Oxford; Museum of Archaeology and Anthropology, Cambridge; and the Anthropology Department Collection, University of Vienna. By working with these collections Brook's intention is to discover new images, video and sound recordings that many Aboriginal people in Australia have not seen before and at times cannot be found in Australian collections.